Where film composers grow.
Score a real award-winning short film. Get personally reviewed by emmy-winning composers. Build your portfolio — whether you win or not.
A contest built for growth.
Most contests reward those who already have the gear and experience. IFMC was built differently — to give every composer a real shot.
Open to everyone
All ages, all skill levels, every nationality. We split the contest into two age groups so younger composers compete on fair ground — but everyone is welcome to enter.
Judged on creativity, not gear
Mixing, mastering, and sound quality don't count. A piano recorded on your phone stands equal to a $10,000 orchestra library. Only your creative ideas decide.
Built for first-timers
Never scored a film before? We made a free course that walks you through writing your first theme in under an hour. No notation skills required — just submit a recording.
Try the free course →The Summer 2026 Contest will open in May
Join our Mailing List below to get notified and not miss it:
Get personal feedback from a professional composer
Every participant can opt in for a scene-by-scene review. Our judges break down your music with timestamps, naming exactly what works and what could be stronger — here's a real example.
Very nice work! Really like that you kept the instrumentation small. The choice of strings and glockenspiel work well with the overall mood and atmosphere of the film.
00:06 Title and opening sequenceThe music in the opening works well and sets a nice tone. Buildup in the music while the camera tilts towards the head of the doll is well done, almost has a Thomas Newman-like string writing quality to it.
00:34 Doll wakes up, admires selfI like what you did here for the sequence of the doll checking himself out! Would suggest you even try to follow the movements of the doll even closer with your melodies and orchestration when he is looking at himself in the mirror.
01:02 Snore and reactionGood change in intensity of the music when we hear the man snoring! Works well. The doll eventually falls on his back, which I think would work best as the final 'hit' followed up by some silence...
Get a verifiable participation certificate
Every participant receives a personal certificate with their ranking — verifiable through a unique code anyone can check. Add it to your portfolio, share your composition anywhere online, use it however you want. Your submission stays yours from the moment you upload it.
See exactly where you placed
Detailed statistics show how you scored across each evaluation criterion and how you compared to other participants. Know your strengths, see your gaps, learn what to focus on next.
30.000€+ IN PRIZES
A total of 9 winners will win cash prizes and
high-quality audio libraries courtesy of our sponsors:
Additionally all participants will receive exclusive discounts to our sponsors:
Ignoring bundlepricing the prizes are worth closer to 40.000€
PRIZES to be announced
Reviewed by working composers
Every submission is personally evaluated by one of our judges — all currently active in film, TV, and video games.
David Bertok
Primetime Emmy® winning composer
Catherine Joy
Composer & music producer, Australia
Yiren Wang
Composer, conductor & pianist, Shanghai
George Shaw
Composer for film, TV & animation
Nikhil Koparkar
Award-winning composer for film, TV & games
Ready to compose your score? Registration is open until July 24.
View packages →What composers say about IFMC
Honest words from the people who actually went through it.
I greatly appreciate the opportunity to receive feedback. This far outweighs any desire to place or win.
Steve Winkler· W23 ParticipantThe prizes are very substantial, and the opportunity to be reviewed by professionals is incredibly valuable. I also think the price is more than reasonable — almost a steal!
Alessandro· W24 ParticipantMy feedback was highly detailed in a scene by scene fashion with timing references. The judges analyzed second by second.
Adriaan van Niekerk· W22 ParticipantThis was such a wonderful experience. It challenged me in ways I've never been before, and helped me further my skill set as a composer and musician.
Neriah Yang-Guerrero· S25 ParticipantThe IFMC pushed me out of my comfort zone to try new things. The feedback was in-depth and helpful. I will definitely be participating again.
Don James· W23 ParticipantSummer 2026 timeline
Registration
May 8 – Jul 24
2026
Submission deadline
Jul 30, 2026
8 pm CET
Semi-finalists
Sep 4, 2026
6 pm CET
Finalists
Sep 11, 2026
6 pm CET
Winners announced
Sep 18, 2026
6 pm CET
Ready to score your first film?
Join hundreds of composers from over 30 countries scoring a real award-winning short film. Whether it's your first time or your tenth — there's a package for you.
Choose your package →Risk-free 5-day refund · Submission deadline July 30, 2026
FAQs
Each package includes a set number of submissions and, for the Learner, Advanced, and Complete packages, professional written feedback from one of our judges.
With two submissions (Double, Advanced, Complete), you can score both films — the animated and the live-action one — and compete with both. Each submission is evaluated separately by a judge.
Feedback means one of your submissions receives a detailed, scene-by-scene written evaluation from a judge. If you have two submissions but only one feedback (the Advanced package), you choose which submission gets the feedback when you submit. You can only get one feedback per submission.
You can always upgrade your package later — just reply to your confirmation email and we’ll help you.
For several reasons explained below, we unfortunately can’t show you the films before registering.
However, if you honestly don’t like any of the films after registering, you can just contact us within five days and we’ll be happy to send you a refund! Therefore there’s no risk for you.
Just send us an email with your order number at: films@indiefilmmusiccontest.com and we’ll send the refund within 24h.
We had the experience that many people just use the preview film to work on their score. The problem with that is that they are technically not allowed to do this by the people who give us the rights to use these films. These rights holders are generally very protective of their rights and were not exactly happy about the films being used by non-participants so we want to avoid this from happening again. Since we are dependent on cooperating with them to keep providing you with good quality films to score we, unfortunately, can’t show the films before you register anymore.
Moreover, as the contest is growing in numbers and attention, we just need to be generally more careful in legal matters especially concerning copyright which is a very complicated topic that we’re no experts on. So we’re rather a little bit too careful than to be liable for any copyright infringements which could cause the contest to end permanently.
However, we spent a lot of time handpicking these films for you and we are sure that there is at least one film in our selection that you’ll be able to work with. Moreover, it’s only realistic to not be able to choose what project you work on, and trying something you haven’t done before can push you in new creative directions. Also, our surveys said that a big part of the participants actually likes the surprise.
If you are currently 23 years or older, join the standard competition. If you are currently under the age of 23 you can choose which one you would like to join. The young one has fewer participants and therefore less competition but the standard one has slightly better prizes. In the rare case that you are 22 now but turn 23 until the winners are announced you are also allowed to choose and the moment you register will count.
Yes. We bill in EUR, but you can pay with any credit or debit card regardless of your country. Your card or bank will convert the amount to your local currency at their standard exchange rate, which typically adds around 1–3%. We don’t add any markup beyond the listed price.
This time we have a two films for you to compete with and three additional one to practice. There is one live-action and one animated short film for both of the Young and the Standard divisions. You can choose to compete with one one of the or do both if you register with an additional submission.
The films are usually between 3 and 4 mintues long
Yes, you can! You of course, keep full ownership of the music you created and can do whatever you want with it.
If you want to share the music wit h the film, it’s important that it is obvious that it is not the original and was created in context of this competition and that the creators are sufficiently credited.
The creators may ask for specific requirements for the films to be published, but you can use it in your portfolio and anywhere else online.
Yes, you can! One of you needs to register and create an account at our website. Once you submit, you will be able to enter both of your names in the submission form which late appear on your certificate.
In case you win a prize you will be responsible to split the prizes how you see fit though.
After the competition, you will now receive a verifiable certificate with your placement in the competition.
Verifiable means that there is a code on the certificate that can be entered on our website which will then verify its authenticity. So you can easily prove that you successfully entered the competition and achieved a specific placement and anyone who sees your certificate (if you put it on your website for example) can confirm that it’s real.
The reason why we can not make it free for you is that there are 5 Judges and our team that put a lot of time and work into this and we think everyone in this industry agrees that working for free is not cool. Especially our highly qualified judges deserve appropriate compensation.
In addition to that, there are costs like website hosting and development, marketing, the cash prizes, etc. All of this is quite expensive and there is no other company behind this that can use it as marketing for their brand/products or something.
The money needs to come somewhere so we have to charge everyone a fee to participate but because of this, we are only dedicated to making this contest the best possible experience for everyone that we think is worth the cost and we don’t have to pursue any other goals under which the quality of the contest could suffer like any free competition!
This for example also allows us to offer you opportunities like the personal feedback which you won’t get in any other competition. Moreover, we guarantee that every submission is evaluated by our judges and not by any other inexperienced panel which is done in most competitions to lower the costs.
If you can not afford it that’s ok and we understand that. We just hope that you can also understand that we too can not afford to make it free even though everyone deserves to compete.
We’re also trying to find ways to lower our costs so we can lower the fee for you in the future. So if you can’t participate this time maybe it will be possible the next time.
You can find the winners of our previous contests on this page: https://indiefilmmusiccontest.com/previous-competitions/
We’re hosting the competition twice a year with one summer and one winter edition.
The “Indie” is short for independent. The contest is for independent film composers and it also is independently organized which means that there is no other company behind this. We’re hosting the contest just for its own sake with no other motives.
After you registered go on your account page and click on the “Contest” button. Then you will be redirected to your contest page. There you’ll find instructions for the contest including the download link. This is also where you can submit your composition and find the results after the competition ends.
You can also just click on this link (https://indiefilmmusiccontest.com/submission/) but be aware that if you’re not logged in and haven’t registered already you’ll be redirected to the registration page.
Everyone who registered with the feedback option will be able to see the feedback in their accounts the moment we announce the winners of the competition.
Currently, our system only allows it to get one feedback for each submission.
Need a Hand Getting Started?
Scoring a short film can feel overwhelming — but it doesn’t have to be.
If you’re unsure how to begin, structure your music, or submit confidently — we created a FREE course just for you:
Also interested in Scoring Video Games?
Visit out New Video Game Scoring Competition:
Contact Us
We’re here for you. If you have any questions don’t hesitate to contact us at: support@indiefilmmusiccontest.com